VIDEO EDITING MONITOR FOR MAC PRO FULL
VIDEO EDITING MONITOR FOR MAC PRO PRO
VIDEO EDITING MONITOR FOR MAC PRO SOFTWARE
VIDEO EDITING MONITOR FOR MAC PRO TV

Screens were recorded using QuickTime screen capture at 2560×1440. Pretty happy with the way those scenes turned out. The video is shot with my NEX VG20 video camera, and my westcott green screen kit.

VIDEO EDITING MONITOR FOR MAC PRO FULL

Of course, I was editing at full res (using Apple ProRes files, which are automatically created on input by the XAVC-S filter) and using proxy files would eliminate all of those issues. But I expect these (like so many things about 4K) are growing pains. Editing HD on my iMac still flows a little more nicely than 4K on the MacPro. Transitions don’t always play in realtime until they’re rendered, and I did experience an occasional beach ball moment while working.

So there’s clearly room to spare to run more apps, or further optimize the performance of FCP.Īnd all that said, this is not the ultimate solution. While editing, the memory footprint was in the 16GB range. Watching memory usage, I noted that FCP doesn’t really use up 32GB until rendering starts. I could feel the warm air rising out of the top of the unit, but still did not hear the fan. While rendering the youtube 4K output, it peaked up to about 240 watts for the two or so hours it took. Interestingly, it cycles down much further than the iMac – less than 2watts in standby mode, which is about the same as off. The average consumption during editing is about 120 watts – that’s less than my iMac, but of course, it doesn’t include a monitor. I did watch power consumption using a Wemo insight switch. I expect that other NLEs including FCP will also include support by enhancements to their import and export filters.Īs I mention, the MacPro is quiet. As a result some reds and greens are a little less vibrant in the edited footage. He thought that the next release of Sony Vegas would support it.

VIDEO EDITING MONITOR FOR MAC PRO SOFTWARE

We compared the original files from the camera with the edited footage and I did notice some colour degradation – and Sony’s Karol Warminiec explained that the extended x.v colour space (also called triluminous) wasn’t preserved in any software editor. Worth noting that the MacPro does have some limitations for 4K output – only two of three outputs can be 60p.

VIDEO EDITING MONITOR FOR MAC PRO TV

The TV and MacPro synced resolutions automatically – although the desktop is very small at 4K, even on a 65” set. I took the MacPro to the Sony store to see the footage at full resolution. Sony’s 4K TVs can display 4K through HDMI, but not from a file on USB. Neat! The 1440 resolution is nearly enough to enjoy the 2180 footage. After connecting, command-F2 to switch the display between the two systems on the iMac monitor. I was able to connect my 27” iMac (2560×1440) as a monitor using target display mode and a mini-display port to mini-display port cable (hard to find, but it’s available from amazon.ca and canada computers in Toronto). I contacted Sharp’s media relations team, but was not able to borrow a 4K monitor. So my apologies for a video presentation that’s a little less visual than average. It is however, hard to review a computer with video. What you cannot appreciate until you see it is how sleek and well designed this computer is.

VIDEO EDITING MONITOR FOR MAC PRO PRO

Apple Canada graciously loaned me a well-equipped Mac Pro (late 2013) to use while editing the review of the Sony 4K FDR-AX1.Īfter the first few days of shooting with the AX1, it was obvious to me that although my iMac (late 2009) could handle the 4K video – it was with lots of dropped frames and lots of waiting.

Video editing monitor for mac pro